 |  | 104 London Street Dunedin New Zealand |
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| The Merchant of Venice (1979) |
by William Shakespeare Opening Night 14 July 1979 |
| Director: Philip Gaze |
| Bassinio, a spendthrift Venetian, borrows a large sum of money fom Shylock, a Jew, (a moneylender, much abused by those who make use of him), to enable him to court a rich heiress, Portia, living in Belmont (bot far from Venice). He pursuades his friend Antoniom a rich merchant, to stand surety fro him, but the document which Antonio signs - 'a merrie bond' - binds him to forfeit a pound of his felsh should he fail to repay the money on time. Bassinio goes to Belmont to try to win Portia (by a peculia kind of guessing game): while he is there Antonio hears that the ships in which his fortune is tied up have all foundered, and he cannot repay Shylock his money - now, as they used to say in romantic serials, read on... |
| Cast |
| Antonio |
Matthew Robertson |
| Salerio |
Colin Cheyne |
| Solanio |
Tony Bamford |
| Bassanio |
Richard Mercier |
| Gratiano |
Owen Rooney |
| Portia |
Marilyn Parker |
| Nerissa |
Julia Smith |
| Balthazar |
Andrew Wooding |
| Shylock |
Frank Grayson |
| The Prince of Morocco |
Keith Harrison |
| Launcelot Gobbo |
Ray Stone |
| Old Gobbo |
John Dawson |
| Leonardo |
Richard Hannah |
| Jessica |
Gay Cusack |
| Lorenzo |
Geoffrey Miles |
| Thge Pronce of Arragon |
Jack Dodd |
| Tubal |
Tim Brewster |
| Singer |
Mary Aston |
| Attendants |
Martin Smith |
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Keith Morris |
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Howard Morris |
| Crew |
| Stage Manager |
Graeme Smith |
| Set design and building |
Frank Grayson |
| Costumes |
Jean Jackson |
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Bonnie Hampton |
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Gwen Wales |
| Lighting |
William Gaze |
| Sound |
Christopher Masters |
| Prompt |
Louise Green |
| Production Secretary |
Mary Greet |
| Properties |
Barbara McMechan |
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Elizabeth Hunter |
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Tania Illingworth |
| Poster |
Frank Grayson |
| Programme design |
Suzanne Palmer |
| Music arranged by |
Ian Thompson |
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